DTS PRO Series Guia do Utilizador descarregar pdf (Página 99)

DTS-HD Master Audio Suite™,

User Guide

v 2.5

Confidential - Do NOT Duplicate 84 DTS Document No.: 9301F55800D

17781 v1

a. Any automation value above 0dB will reduced to 0dB upon Encode

b. The supported range of volume automation on the Primary Track is from 0 to -60dB, INF

(negative infinity). Volumes below -60dB will be treated as INF upon encode

b. Automation data will be thinned to a resolution of approximately 2 SMPTE frames.

c. If a volume fade greater than 10dB is necessary, it is recommended the fade to gradually take

place over the minimum duration of a second.

DIAL NORM NOTE: If you are using a dial norm level other than -31db for your encoded

Primary Track, your Primary Track will be attenuated by the corresponding amount of db when it

is mixed in a Blu-ray player (Profile 1.1). For example, if a dial norm setting of 27 is applied, the

resulting volume of the Primary Track will actually be 4db lower than what you hear in your Pro

Tools session. This will change your overall mix when Secondary Audio is introduced in your final

content and not give you an accurate example during the stage of writing your automation.

It is

recommended to leave your dial norm setting at -31db.

To simulate/test the effect of dial norm on your Primary Track in Pro Tools without affecting your

automation:

1) In the Inserts section of your Primary Track, choose Other>Trim to bring up the Trim

plug-in.

2) Choose the amount of attenuation that will be applied to the track when your chosen dial

norm setting is used (EX: Dial norm of 27 = -4db attenuation)

This will allow you to monitor how dial norm will affect Primary Audio tracks when mixed in a

Blu-ray Player (Profile 1.1) in addition to the volume automation of Primary Audio tracks.

If you must use a different dial norm than -31db for your Primary Track, and you would like your

Secondary Audio to have the same attenuation applied, there is currently one solution. Dialog

normalization on Secondary Audio is not supported in the MAS Encoder. So, attenuate the final

Secondary Audio in your Pro Tools session by the amount equal to the amount of dialog

normalization to be applied to the Primary Track, before bouncing/exporting your Secondary

Audio track(s) to be encoded in the MAS Encoder. When encoding your Secondary Audio, ignore

the dial norm parameter.

c) AAF Error Codes

Double-check your start time and timecode frame rate before encoding in the DTS-HD Master

Audio Suite with your embedded AAF file or the following errors might occur:

Error 13018 - AAF File: Parser allocation

Error 13019 - AAF File: Unable to parse specified file

Error 13020 - AAF File: Encode frame rate does not match AAF frame rate of 23.976

Error 13021 - AAF File: Encode frame rate does not match AAF frame rate of 24

Error 13022 - AAF File: Encode frame rate does not match AAF frame rate of 25

Error 13023 - AAF File: Encode frame rate does not match AAF frame rate of 29.97 Drop

Error 13024 - AAF File: Encode frame rate does not match AAF frame rate of 29.97

Error 13025 - AAF File: Encode frame rate does not match AAF frame rate of 30 Drop

Error 13026 - AAF File: Encode frame rate does not match AAF frame rate of 30

Error 13027 - AAF File: Encode frame rate does not match AAF frame rate of 50

Error 13028 - AAF File: Encode frame rate does not match AAF frame rate of 59.94 Drop

Error 13029 - AAF File: Encode frame rate does not match AAF frame rate of 59.94

1 2 ... 94 95 96 97 98 99 100 101 102 103 104 ... 107 108

Comentários a estes Manuais

Sem comentários

DTS PRO Series Guia do Utilizador Página 99

Comentários a estes Manuais

Manuais e produtos relacionados com Redes DTS PRO Series